哲学社会科学版
陕西师范大学学报(哲学社会科学版)
新闻传播学研究
“灾难”的娱乐化传播与景观化生存 ——好莱坞灾难电影的文化解读
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牛 鸿 英
(陕西师范大学 新闻与传播学院, 陕西 西安 710062)
牛鸿英,女,河南沁阳人,文学博士,陕西师范大学大学新闻与传播学院副教授。
摘要:
好莱坞灾难电影以景观叙事的方式建构了虚拟的危机情境与转危为安的“神话”模型,在视听的快感冲击与生存的忧虑恐惧中,凭借受众的日常消费最终完成了意识形态的控制与文化意义的流通。在这个传播过程中,社会权力、经济利益、文化价值、审美超越等多重向度的诉求盘根错节,被奇妙地拼贴与糅合,形成了彼此抵牾、又互相生成的内在机制,为当代大众文化研究提供了一个典型的样本。
关键词:
好莱坞灾难电影;娱乐化传播;景观叙事
收稿日期:
2010-10-15
中图分类号:
G122
文献标识码:
A
文章编号:
1672-4283(2012)01-0116-09
基金项目:
国家社会科学基金项目(09CXW008)
Doi:
Entertainment of Disasters and Landscaping of Existence——A Cultural Interpretation of Hollywood Disaster Movie
NIU Hongying
(College of News and Dissemination, Shaanxi Normal University, Xi’an 710062, Shaanxi)
Abstract:
With the help of landscape narration, Hollywood movies successfully construct virtual disastrous situations and cornerturning mythical models and finally complete control of ideology and circulation of cultural meaning in impact of visual attack and terror of surviving anxiety by means of the audience’s daily consumption. In this course of dissemination, mutally-contradicting and mutuallygenerating internal mechanisms are shaped by excellently patching up and blending multiple demands of social power, economic interests, cultural values and aesthetic excision. This practice offers a typical sample for study of public culture in present days.
KeyWords:
Hollywood disaster movies; entertainment dissemination; landscape narration