哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代文学研究论
中国文论的三部曲——兼及中国文化诗学的建构
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顾 祖 钊
(安徽大学 中文系, 安徽 合肥 230039)
顾祖钊,男,安徽太和人,安徽大学中文系教授。
摘要:
“五四”以来,中国文论明显经历了“全盘西化”和“西方文论中国化”的阶段,目前正走向“中西融合”的新阶段。这一阶段的到来,已做好了三项理论准备:“新理性主义”在价值论和方法论上实现了中西融合;“古代文论的现代转换”突出了中西融合的任务和方式;“中国式文化诗学”是中西文艺理论融合之路通过上述二者实现创造性建构和超越的最终模式和必然归宿。揭示了这样的“三部曲”,也就揭示中国文化诗学产生的历史合理性,以预测中国文论的未来。
关键词:
中国文论;中西融合;中国文化诗学
收稿日期:
2011-09-12
中图分类号:
I206
文献标识码:
A
文章编号:
1672-4283(2012)01-0092-09
基金项目:
Doi:
Trilogy of Chinese Literary Theory——A Codiscussion on the Poetic Construct of Chinese Culture
GU Zuzhao
(Department of Chinese Language and Literature, Anhui University, Hefei 230039, Anhui)
Abstract:
Since the May4th Movement, Chinese literary theory has obviously gone through three stages of development, namely, the stage of “wholesale westernization”, the stage of “Chinesization of western literary theory” and the current stage of “Chinese and western fusion”. For the coming of this last stage, three theories have been prepared to cope with it. One of these theories is “neorationalism”, which realizes a Chinese and western fusion both ideologically and methodologically. Another is “modern transformation of ancient literary theory”, which projects the task and means of Chinese and western fusion. The last is “Chinesestyle cultural poetics”, which is a innovative construct, superior final model and necessary endresult from the course of realizing Chinese and western fusion.
KeyWords:
Chinese literary theory; Chinese and western fusion; Chinesestyle cultural poetics