哲学社会科学版
陕西师范大学学报(哲学社会科学版)
美学研究
巴尔塔萨神学美学视域中的《旧约》
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张俊
(陕西师范大学 文学院, 陕西 西安710062)
张俊,男,四川仁寿人,文学博士,陕西师范大学文学院教师。
摘要:
《圣经》是基督教信仰的源泉,神学美学也不能离开这个活水源头独立开展。巴尔塔萨的神学美学正是以圣经美学为其根基的。《旧约》在他的神学美学中,享有同等于《新约》的神学地位,他把它视为其神学美学的思想源泉和基础。旧约荣耀美学,在巴尔塔萨看来,主要有三个核心主题:荣耀、形像、恩典。荣耀是荣耀美学的基本母题,故而统摄诸旧约美学主题;形像是荣耀光辉的尘世显现;恩典是荣耀与形像的中间环节,昭示上帝对人的爱并彰显其荣耀。旧约美学这些主题最后汇聚在耶稣基督身上,由之构成巴尔塔萨新约荣耀美学的思想基础。
关键词:
巴尔塔萨; 神学美学; 《旧约》
收稿日期:
2009-05-11
中图分类号:
B83-06
文献标识码:
A
文章编号:
1672-4283(2010)05-0145-07
基金项目:
国家社会科学基金项目(08X2X018)
Doi:
Old Testament in Terms of Balthasar’s Theological Aesthetics
ZHANG Jun
(College of Chinese Language and Literature, Shaanxi Normal University, Xi’an 710062, Shaanxi)
Abstract:
Holy Bible is the source of Christian worship, without which theological aesthetics cannot stand alone. Balthasar’s theological aesthetics is just based on biblical aesthetics. In his theological aesthetics, Old Testament enjoys an equal theological place to New Testament. He takes Old Testament as the source and basis of his aesthetic theory. To Balthasar glory aesthetics in Old Testament contains three key themes: glory, image and grace, of which glory the motif, governing aesthetic subject in Old Testament, image is the worldly indication of brilliance of glory, and grace is a bridge between the two, declaring God’s love for men and demonstrating His glory. All these aesthetic subjects in Old Testament spotlight on Jesus Christ, which forms the theoretical basis of Balthasar’s glory aesthetics of New Testament.
KeyWords:
Balthasar; theological aesthetics; Old Testament