哲学社会科学版
陕西师范大学学报(哲学社会科学版)
20世纪中国文学研究
郭沫若:现代中国书法文化的创造者
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李 继 凯
(陕西师范大学 文学院, 陕西 西安 710062)
李继凯(1957—),男,江苏宿迁人,陕西师范大学文学院教授,文学博士,博士生导师。
摘要:
郭沫若是现代中国书法文化的杰出创造者之一,在“20世纪中国作家、学者与书法文化”的课题研究视野中,当是一个典型的个案。他的书法、书论及书法文化活动,都是其文化创造行为的具体体现,并构成“沫若文化”现象重要的组成部分。在新诗及历史剧甚至在治学方面,郭沫若均曾出现了“江淹现象”,但他后期在现代书法文化追求和创造上却有着长足进展,并与其旧体诗词、联语的创作交相辉映。在“新国学”视野下整合学术文化并重估旧体文艺的价值与地位,确有重估郭沫若的必要。
关键词:
郭沫若; 书法文化; 文化创造; 新国学
收稿日期:
2006-09-20
中图分类号:
I2067;J2921
文献标识码:
A
文章编号:
1672-4283(2007)03-0055-07
基金项目:
Doi:
Guo Moruo, the Creator of Modern Chinese Calligraphical Civilization
LI Jikai
(College of Language and Literature, Shaanxi Normal University, Xi'an 710062, Shaanxi)
Abstract:
One of the outstanding creators of modern Chinese calligraphic civilization, Guo Moruo should be treated as a typical case of concern on the agenda of the project of “the writers, scholars and calligraphic civilization in the 20th century China”. Guo Moruo actualized his cultural creation in form of calligraphy, book review and activity of calligraphic civilization, which made an important part of the phenomenon of “Moruo Civilization”. In spite of the so-called phenomenon of “flooding river” in his attempts of new poems, history drama and academic research, Guo made noticeable advancement in his pursuit and innovation of modern calligraphy, which matched well his writing of classic poems and antithetical couplets.
KeyWords:
Guo Moruo; calligraphic civilization; cultural innovation; new national culture