哲学社会科学版
陕西师范大学学报(哲学社会科学版)
学术前沿:文学经典的承传与重构
经典的误读与知识考古
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叶 舒 宪
(中国社会科学院 文学研究所, 北京 100732)
叶舒宪(1954—),男,北京市人,中国社会科学研究院文学研究所研究员,博士生导师,文学博士。
摘要:
文学意义上的经典脱胎于宗教信仰意义上的圣典,是经典概念世俗化之后的产物。经典世俗化是一个历史发生的过程,其大背景则是原初宗教信仰的变革、衰微和失传,以及政教分离的趋向。就上古中国而言,由神圣到世俗的过程从《诗经》的分类上可以清晰看出。《诗经·豳风·鸱》一篇对鸱的误读,正是神圣的文化蕴涵被消解、祛魅、丑化的典型。
关键词:
文学经典; 《诗经》; 《鸱》; 知识考古
收稿日期:
2006-03-20
中图分类号:
I2222
文献标识码:
A
文章编号:
1672-4283(2006)04-0056-09
基金项目:
Doi:
Misinterpretation of the Classics and Archaeology of Knowledge
YE Shuxian
(Institute of Literature, China Academy of Social Sciences, Beijing 100732)
Abstract:
Classics in a literary sense, which were derived from the holy books of religious beliefs, are the results from secularized classic conceptions. Classic secularization is a historical process, the general background of which was the evolution, decline and loss of primitive religions and the trend of separation of government from church. For the pre-historic China, the classification of The Book of Songs apparently shows this process from holiness to secularization. The present misinterpretation of the Chihao in Chihao in Youfeng of the Book of Songs is typical of removal, avoidance and vilification of the holy cultural connotation.
KeyWords:
classics; The Book of Songs; The Chihao