哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代哲学研究
从“体”到“本体”:理学话语系统的形成
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刘峰存, 丁为祥
(陕西师范大学 哲学与政府管理学院, 陕西 西安 710119)
刘峰存,男,陕西绥德人,陕西师范大学哲学与政府管理学院博士研究生; 丁为祥,男,陕西西安人,哲学博士,陕西师范大学哲学与政府管理学院教授,博士研究生导师。
摘要:
体与用、本体与工夫不仅代表着宋明理学的基本方法,也是理学家建构理论体系的基本原则,但从历史角度看,它们又具有先后继起并相互生成的特色。在中国思想史中,“体”最早是作为指谓肢体、状貌的名词出现的,以后又由人之自觉运用而成为动词,以指谓对某种性质的分有性,当然也代表着这种性质的普遍性;但当此动词再次名词化后,“体”就不断地凸显主体的涵义,并以主体作为其存在的基础。佛教传入后,由于对人生世界整体性把握的需要,所以“体”也就成为拟对象化的“本然之体”;与之相应,原本作为“体”之属性的“用”,也就成为“体”之存在表现的现象了。但如果立基于“体”之主体动用的涵义,则“用”既可作为拟对象化的现象来运用,同时也有专门指谓主体性能的“工夫”一义。这一过程,既是中国文化自身发展的结果,同时也是儒、玄、佛相融合的理论表现。
关键词:
体; 用; 本体; 工夫; 宋明理学; 话语系统; 中国古代哲学史
收稿日期:
2019-05-22
中图分类号:
B244
文献标识码:
A
文章编号:
1672-4283(2019)06-0116-12
基金项目:
国家社会科学基金重大招标项目“宋明道学核心价值研究”(15ZDB008)
Doi:
From “Body” to “Ontology”:The Formation of the NeoConfucianism Discourse System
LIU Fengcun, DING Weixiang
(School of Philosophy and Government,Shaanxi Normal University,Xi’an 710119,Shaanxi)
Abstract:
Body and use, ontology and Gong Fu , not only represent the basic methods of NeoConfucianism, but also the basic principles of the construction of theoretical systems by philosophers.However from a historical perspective they have the characteristics of successively starting and generating each other. In the history of Chinese thought, “body” first appeared as a noun referring to the body and appearance, and later became a verb by the conscious use of human beings, with the meaning of a certain nature, of course, also representing the universality of this nature; but when this verb is renominized, the “body” constantly highlights the meaning of the subject and uses the subject as the basis of its existence. After the introduction of Buddhism, due to the need to grasp the integrity of the world of life, the “body” became the “natural body” of the objectification; correspondingly, the “use” originally used as the attribute of the “body” has become a phenomenon of the existence of “body”. However, if the meaning based on the subject of “body” is used, then “use” can be used as a phenomenon of quasiobjectification, and there is also a “Gong Fu” that refers to the performance of the subject. This process is not only the result of the development of Chinese culture itself, but also the theoretical expression of the integration of Confucianism, Xuan and Buddhism.
KeyWords:
body; use; ontology; gong fu; neoconfucianism in the Song and the Ming Dynasties; discourse system; history of ancient Chinese philosophy