哲学社会科学版
陕西师范大学学报(哲学社会科学版)
媒介文化研究
作为流动现代性表征的网络亚文化趣味认同研究
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陈龙, 潘庆轩
(苏州大学 传媒学院, 江苏 苏州 215006)
陈龙,男,江苏扬中人,文学博士,苏州大学传媒学院教授,博士研究生导师。
摘要:
网络亚文化趣味认同现象是一种流动现代性的社会表征。网络亚文化是一种游戏本体的文化,其内涵呈现稀薄化态势,网络亚文化生产是一种产生于碎片化社会环境下的圈层运动,其趣味的产生是交往行动的产物。网络亚文化的趣味认同是流动现代性的关系充足过程。随机应变、灵活机动成为当下网络亚文化生产的总体策略。由此观之,表层的趣味认同,即是当下即刻的情绪、思想、观念的分享和传播;深层的趣味认同契合了流动现代性的种种文化质的规定性,演变为一种文化实践。
关键词:
流动现代性; 网络亚文化; 趣味认同; 媒介文化
收稿日期:
2019-08-17
中图分类号:
G206.2
文献标识码:
A
文章编号:
1672-4283(2019)06-0092-09
基金项目:
国家社会科学基金重大项目“网络亚文化传播机制与引导研究”(18ZDA313)
Doi:
A Study on Taste Identity of Cyber Subculture as a Representation of Liquid Modernity
CHEN Long, PAN Qingxuan
(School of Communication, Soochow University,Suzhou 215006,Jiangsu)
Abstract:
The phenomenon of cyber subculture taste identification is a social representation of mobile modernity. This paper holds that cyber subculture is a kind of game ontology culture, and its connotation shows a thinning trend. Cyber subculture production is a circuar movement produced in a fragmented social environment, and its interesting generation is the product of communicative action. This paper holds that the identification of network subculture is a process of a sufficient relationship with mobile modernity. At present, the overall strategy of cyber subculture production is flexible. From this point of view, the superficial taste identity is the immediate sharing and dissemination of emotions, ideas and concepts; the deep interesting identity conforms to the stipulations of various cultural qualities of liquid modernity and evolves into a cultural practice.
KeyWords:
liquid modernity; cyber subculture; taste identity; media culture