哲学社会科学版
陕西师范大学学报(哲学社会科学版)
艺术研究
试论偶型艺术的文化意涵与文化创造
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孙浩章 吉晓民 王丰
(西安理工大学 艺术与设计学院, 陕西 西安 710054)
孙浩章,男,陕西西安市人,西安理工大学艺术与设计学院讲师,博士研究生; 吉晓民,男,陕西乾县人,工学博士,西安理工大学艺术与设计学院教授,博士研究生导师。
摘要:
偶型作为一种文化现象广泛存在,并伴随人类文明而发展。“偶”与“偶像”、“偶”与“俑”具有不同的文化隐喻和文化内含,并显现出由神的象征转变为人的表现、蛊惑之用转变为娱乐之具、民俗概念转变为品牌范畴等偶型艺术文化意涵的嬗变。正确认知偶型艺术的文化存在,进而有助于解放思想,摆脱对偶型艺术的固态化认知,才能实现科技介入于产业化发展、文化扩充于市场化运营、创意呈现于个性化拓展等基于偶型艺术的文化创造。
关键词:
偶; 偶型艺术; 偶型文化意涵; 文化创造; 创意设计
收稿日期:
2012-06-23
中图分类号:
J528.3
文献标识码:
A
文章编号:
1672-4283(2014)04-0166-06
基金项目:
Doi:
A Tentative Investigation of Cultural Implication and Cultural Innovation of Imageform Art
SUN Haozhang JI Xiaomin WANG Feng
(College of Art and Design, Xi’an Polytechnic University, Xi’an 710054, Shaanxi)
Abstract:
The imageform as a widelyspread cultural phenomenon, has always accompanied the development of human civilization. “Image” and “idol” and “image” and “figurine” possess different cultural connotations and implications, symbolizing a transformation of artistic cultural implication from divine token to human expression, from bewitching function to entertainment style and from folk concept to iconic category. A proper recognition of imageform art as a cultural existence will help set free ideology and get rid of the fixed recognition of imageform art so as to encourage cultural innovations based on imageform art, including scientific and technological involvement in development of industrialization, market operation of culture production and personalized extension of artistic originality.
KeyWords:
image; imageform art; imageform cultural connotation; cultural innovation; creativedesign