哲学社会科学版
陕西师范大学学报(哲学社会科学版)
海外学术论坛
“地平线”与“风景”:东西方审视世界之不同视角
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乔溪, [法]贝尔唐德·韦斯特法尔
(法国利摩日大学 人文社会科学院, 法国 利摩日)
乔溪,女,陕西西安市人,法国利摩日大学人文社会科学院博士研究生;贝尔唐德·韦斯特法尔(Bertrand Westphal),男,法国阿尔萨斯人,法国利摩日大学人文社会科学院教授,博士研究生导师。
摘要:
“风景”和“地平线”这两个概念包含了人们对周边环境的观察和对远方世界的认知。描绘风景的诗词和山水画在古代中国不胜枚举,“风景”的概念至少在唐代就已根深蒂固地镶嵌在了中国文化之中。然而在欧洲,直到文艺复兴时代才渐渐有人将其反映在文学艺术作品中,在此之前,基督教文化笼罩下的欧洲人观察世界的视角是垂直且单一的。15世纪以后,欧洲人开始对“风景”与“地平线”频繁地关注起来,从而扩大了审视世界的视野,改变了他们的思维方式,并逐渐形成了一套新的世界观,促进了人们对世界进行全新的认知与探索。
关键词:
风景; 地平线; 文艺复兴
收稿日期:
2013-11-12
中图分类号:
B017
文献标识码:
A
文章编号:
1672-4283(2014)03-0144-05
基金项目:
Doi:
“The Horizon” and “the Scenery”: The Oriental and Occidental Different Views of Looking at the World
QIAO Xi, [France]Bertrand Westphal
(College of Humanities and Social Sciences, Limoges University, Limoges, France)
Abstract:
The concepts “horizon” and “scenery” contain people’s observation of the world around and recognition of the remote world. There were massive poems, cipoems and landscape paintings in ancient China, which indicated that the concept “scenery” was already deeply rooted in Chinese culture as early as the Tang Dynasty. In Europe, however, people didn’t express it in their works of literature and art until Renaissance. Before then, the Europeans, who were deeply shrouded under Christian culture, viewed the world only from a vertical and single perspective. Since the 15th century, they began to pay frequent attention to the “horizon” and “scenery”, hence extending their vision of the world and changing their mode of thinking and shaping a set of new world outlooks.
KeyWords:
scenery; horizon; Renaissance