哲学社会科学版
陕西师范大学学报(哲学社会科学版)
中国古代史研究
唐代拍板、箜篌、方响在五代的流变——以冯晖墓彩绘砖雕为例
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贾嫚
(陕西师范大学音乐学院, 陕西西安 710119)
贾嫚,女,陕西西安市人,文学博士,陕西师范大学音乐学院副教授。
摘要:
种类繁多的中外乐器是唐代乐舞繁荣发展的重要组成部分,对后世影响甚为久远,尤其对五代影响更为直接。陕西地区出土的后周冯晖墓彩绘砖雕乐舞图中拍板、方响、箜篌3种乐器图像,是中国传统乐器、外来乐器从唐到五代的流变再现,其发展轨迹与当时社会变迁相互映衬。这3种乐器不仅是唐代乐舞的重要组成,也是上承唐韵、下启宋风中极为重要的中间环节,其史学价值、艺术价值不言而喻。
关键词:
唐五代乐器; 冯晖墓; 拍板; 方响; 箜篌
收稿日期:
2013-09-20
中图分类号:
K242; J632
文献标识码:
A
文章编号:
1672-4283(2014)03-0106-07
基金项目:
教育部人文社会科学研究规划基金项目(12YJA760026); 陕西省社会科学基金项目(13J074); 陕西师范大学人文社会科学研究基金重点项目(09SZD05)
Doi:
The Evolution of the Tang Musical Instruments, Including the Clappers, the Konghou and the Fangxiang, in Times of the Five Dynasties
JIA Man
(College of Music, Shaanxi Normal University, Xi’an 710119, Shaanxi)
Abstract:
Varieties of foreign and domestic musical instruments were part of prosperouslydeveloped musicaccompanied dance in the Tang Dynasty. The influence of those musical instruments lasted many generations, especially their direct influence in the Five Dynasties. The clappers, the Konghou and the Fangxiang in the colour tilecarved drawings of musicaccompanied dance unearthed in Feng Hui’s tomb in the Later Zhou Dynasty were the evolutionary reproduction of all Chinese traditional and foreign musical instruments from the Tang Dynasty to the Five Dynasties, which mirrored the traces of development of these musical instruments and changes in the current society. The three musical instruments as an important part of the music-accompanied dance in the Tang Dynasty carried on the music style of the Tang Dynasty and acted also as the primary intermediate link to the music style in the Song Dynasty, whose historical and artistic value are selfevident.
KeyWords:
musical instruments in the Tang and Five Dynasties; Feng Hui’s tomb; the clappers; the Fangxiang; the Konghou